digATL | The Digital Atlanta Portal

A Community Interactive Digital Archive. Krog Street Tunnel is one of Atlanta’s premier destinations for street art, political communication, and a community bulletin board. Since the late 1960s, artists have added and subtracted new paintings, messages, and designs to its walls, effectively creating a rapidly changing archive of local cultural concerns. The tunnel and the walls connected to it on DeKalb Avenue and Wylie Street comprise a single living dynamic work of art that is a cultural center of Cabbagetown. As such, to understand the cultural composition of the town, it is important to not only examine the art but also the creatives who give the tunnel life. Given the ephemeral nature of the tunnel art and its historical significance to the city, Georgia State University’s EPIC program, an academic research initiative dedicated to providing students with the opportunities to work on public-facing projects, has assembled a team of professors, graduate students, and undergraduates to document and catalog Krog Street tunnel’s art. In addition to regularly scanning and archiving the community’s tunnel art and murals, we also plan to conduct interviews with artists, patrons, and members of the community. This collection will become the basis of a frequently updated online publicly accessible 3d digital archive. Launched in 2022.

Aims to both preserve this unintentional archive as it was before Manuel’s Tavern underwent renovations in 2015 and provide a platform through which one might learn more about the individual items in this archive and even contribute to the knowledge about them. This project is the result of a collaboration via the Atlanta Studies Network, Emory University’s Center for Digital Scholarship, Georgia State University’s Center for Excellence in Teaching and Learning and University Library, with additional contributions from the Savannah College of Art & Design in Atlanta and the Center for Public History at the University of West Georgia. While some archives are carefully curated by experts with clear intentions and institutional resources supporting their creation, other archives are unintentional and organic collections of materials that have gathered in a corner of a city like driftwood on the beach.  One such example of the later type of archive are the walls of Manuel’s Tavern, which over the past half century have slowly evolved into a record of the local established political left that inhabited that space; where a generation of cops, soldiers, and politicians—who believed in a more representative democracy—gathered to eat pork chops in a neighborhood occupied by immigrants, hippies, and punks. And to this day neighbors still treat it like an extra living room, where they come to watch elections or play chess. The project has received both local coverage (Atlanta Journal-Constitution, WABE, Creative Loafing, ArtsATL) as well as national coverage (New York Times). Note: All photographs, videos, and other materials hosted on this site are licensed CC BY NC.

Prepared by the Spring 2006 Preservation Planning students. This project, developed in a collaborative effort by the Atlanta Urban Design commission and GSU students, was designed to highlight the history of the proposed redevelopment nodes along the Beltline, which is an outer band railroad line encircling the city. The purpose was to identify the significance of the resources therein and their links to Atlanta’s history, providing assistance in the overall development process of the Beltline project.

Granite, limestone, and marble building stones are found in a 20-block area that is centered around the beginning of Peachtree Street. These three commercial types encompass a much greater range of rocks. Granite, limestone, marble, travertine, dolomite, serpentine, larvakite, gabbro, and gneiss are among the rock types found within the 50 varieties of commercial building stones used in the area. A map has been prepared of the area and specific sites of geological interest have been identified. The building name is given in the descriptions of the buildings and rocks found in the area so that they may be located easily. Only the three commercial rocks names will be used in the tour so that one can look at the rock samples and try to determine their true nature. The tour originates at Georgia State University, 33 Gilmer Street, Atlanta, GA. Walking tour created by Dr. Bob Power, former GSU professor in Geosciences. Revised by Dr. Hassan Ali Babaie, GSU Associate Professor of Geosciences.

National Register of Historic Places Inventory nomination form submitted in 1980. Originally, the two-and-a-half-block area of the Underground district was a part of the larger gateway to the city. The history of this gateway to Atlanta mirrors the dynamic growth of the city as it expanded from a railroad and pedestrian town of the mid-nineteenth century into a regional automobile and air metropolis of the late-twentieth century. The Underground Atlanta Historic District consists of several components: an approximately two-block area of buildings bounded by Alabama Street, Central Avenue, Peachtree Street, and the rear lot lines of properties along the north side of Martin Luther King, Jr. Drive; viaducts on Central, Pryor, Alabama and Wall streets; store fronts along the north side of Alabama Street below the viaduct; the Georgia Railroad Freight Depot at the east end of Alabama Street; and the Zero Mile Post under the Central Avenue viaduct.

Focused on suburban residential developments in DeKalb County, Georgia between the end of World War II and 1970 in order to better understand the transformation of the area after the Second World War. The resource includes data on national residential trends, architectural and landscape designs, as well as information on metropolitan Atlanta. The resource was created to support the effort to preserve local neighborhoods, buildings, and landmarks by providing the historic context in which they were created.

Date created

Spring 2010

The Digital Archive of the Heritage Preservation Program (HPP) available in ScholarWorks @ Georgia State University is a compendium of student projects produced under the supervision of the HPP faculty from 1991 until the present. The Archive contains a variety of completed projects that document buildings and historic areas in and around Metropolitan Atlanta. The projects include Historic Structure Reports of historic or endangered buildings, Historic District Information Forms prepared for submission to the Georgia Historic Preservation Division for eventual National Register Designation, Design Guideline and Planning projects that are intended to assist communities and neighborhoods in making design decisions about Locally Designated Historic Districts and Historic Context studies that focus on a particular building type, period of development (developmental history) or particular community. These documents embody a wide variety of buildings, neighborhoods and communities across Metro Atlanta. They demonstrate the body of work accomplished by the students of the Heritage Preservation Program and are here to be utilized by anyone seeking to research historic places in and around Atlanta.

Originally built in 1925 as one of the first parking garages in the city, the Ivy Street Garage was renovated and opened to students in 1946. In 1964, it was renamed Kell Hall to honor Wayne S. Kell, the original director of the school. Kell Hall was demolished and replaced with a campus greenway in 2021. On this website, you can browse the collections of digital items gathered, read about Kell Hall’s history, take a virtual tour of the building and contribute your own stories to the project. 

The Flat Rock community in southern DeKalb County, Georgia (just outside Atlanta) is one of the oldest continually-occupied African-American communities in Georgia. Although history shows that many African-American communities in the South were broken apart as former slaves migrated north in search of jobs and a more equitable life, Flat Rock remained an intact community. This was largely due to the efforts of individuals who were able to purchase land and later sell it in small parcels to fellow community members. Proximity—both to ancestors and significant places—is a cross-culturally important component to the creation of a sense of community. Placed on a high peak in DeKalb County, the Flat Rock Cemetery became such a place for the Flat Rock community. It contains burials dating from 1834 (three years prior to the official establishment of the community) through 1959. In the spring of 2008, Johnny Waits, president of the Flat Rock Archive, proposed a project to the members of the Greater Atlanta Archaeological Society (GAAS) involving the clearing and mapping of this historic cemetery. These initial meetings eventually led to the involvement of Georgia State University (GSU). Through the use of a total station, Jeffrey Glover of GSU and his students have been mapping the cemetery and conducting research into its material culture. The objectives of this project include completion of the cemetery map and the subsequent connection of identified graves to the archival data collected by Mr. Waits. These data will be integrated with photographic images of tombstones and material offerings, and will be established on GSU’s geospatial server using ESRI’s ArcServer. These interactive maps will be made accessible to visitors to the Flat Rock archive web site.

Historic District Information Form authored and submitted by GSU Case Studies in Historic Preservation students, Spring 2017. Located partially in the City of Atlanta, DeKalb County and in unincorporated DeKalb County, East Atlanta is a good example of an evolving suburb. In the late 19th and early 20th century the area was an urban neighborhood that relied on the streetcar system and by World War II had evolved into an automobile-reliant suburban. Development progressed from a densely gridded street pattern in the northern portion indicating a traditional urban neighborhood to a curvilinear street pattern in the southern section indicating an automobile-centric suburb. The area includes at least three commercial nodes, a variety of historic houses and community and commercial buildings, a cemetery, a park, a Civil War monument, and five state historic markers.

Design guidelines prepared by graduate students in the Preservation Planning Class of Georgia State University’s Heritage Preservation Program under the direction of Richard Laub and Mary Ann Eaddy, Spring 2011. These guidelines explain and interpret general design criteria in the local preservation ordinance for Decatur, serves as a tool to guide preliminary design decisions, preserves historic character of the area, protects and stabilizes property values, makes suggestions for design appropriateness and provides neighborhood continuity, stability and predictability in assessing future change. The purpose of this report is to provide recommendations that aid in the preservation of the unique architectural and historic character of the city. The recommendations incorporate and revise the Design Supplement to the Decatur Historic Preservation Resource Manual, developed in 1997, the McDonough-Adams-King the Guidelines for MAK district property owners, developed in 2008, and the Historic Resource Survey: Final Report, City of Decatur, Georgia, September 1, 2009, developed in 2009. Students consulted with the Historic Preservation Commission of Decatur to ensure that these revisions accurately reflect the intent of Decatur’s local historic designations and the design review process. We hope that consideration of these recommendations will aid in the preservation of the unique architectural and historic character of the city. The Historic Preservation Planning Class would like to extend its appreciation to Regina Brewer and the entire Decatur Historic Preservation Commission for their support. We would also like to grate fully acknowledge the express help of Laura Drummond, Ken Kocher, Andrew Kohr, and the staff of the DeKalb History Center and Decatur Branch of DeKalb Public Library.

Prepared by the Spring 2006 Preservation Planning Class. These Design Guidelines explain and interpret general design criteria in the local preservation ordinance in Old Decatur, serves as a tool to guide preliminary design decisions, preserves historic character of the area, protects and stabilizes property values, makes suggestions for design appropriateness and provides neighborhood continuity, stability and predictability in assessing future change. The purpose of this report is to provide recommendations that aid in the preservation of the unique architectural and historic character of the city.