digATL | The Digital Atlanta Portal

Digital tour of the rise and fall of the bawdy brothels that lined Downtown Atlanta’s Collins Street from the late 1800s to the early 1900s—showcasing tantalizing tidbits from newspapers, census records, city directories, property records, maps, and more from Georgia State University Library’s digital resources. Walk the streets (well, not like that!) and transport your imagination back to those bygone days when sin and Southern hospitality went hand in hand.

Date Created
Spring 2022

Related Content

• Interview on Archive Atlanta Podcast
• Presentation with Allyson Stephens at 2022 Atlanta Studies Symposium — “Sin in a Southern City: The Unearthed History of Atlanta’s Postbellum-to-Progressive Era Prostitution Trade” 

Celebrating 50 years of hip-hop! The Rap Map visualizes metro Atlanta’s influence on hip-hop and hip-hop’s influence on the region over the last three decades. The Rap Map highlights the disconnect between the rapid pace of development in the city and its negligible impact on how hip hop music engages with the city’s geography. It is as if Atlanta’s economic renaissance skipped whole portions of the city and that is where hip hop in Atlanta was born. Project goals are to show the significance of music as a source for an aural history of cities and towns as well as to explore the symbiotic relationship between art and space.

The Rap Map is available through ATLMaps, https://atlmaps.org

Related Content

• Mock, Brentin, “Mapping Childish Gambino’s Atlanta.” Bloomberg, June 8, 2018,
  https://www.bloomberg.com/news/articles/2018-06-08/presenting-a-childish-ludacris-outkast-map-of-atlanta
• Rasool, Adnan. “Mapping Atlanta’s Rap Footprint.” Atlanta Studies, February 13, 2018, https://doi.org/10.18737/atls20180213
• “Student Creates Atlanta Rap Maps Featuring Childish Gambino, Other Stars,” https://news.gsu.edu/2019/05/08/student-creates-atlanta-rap-maps-featuring-childish-gambino-other-stars/

A Community Interactive Digital Archive. Krog Street Tunnel is one of Atlanta’s premier destinations for street art, political communication, and a community bulletin board. Since the late 1960s, artists have added and subtracted new paintings, messages, and designs to its walls, effectively creating a rapidly changing archive of local cultural concerns. The tunnel and the walls connected to it on DeKalb Avenue and Wylie Street comprise a single living dynamic work of art that is a cultural center of Cabbagetown. As such, to understand the cultural composition of the town, it is important to not only examine the art but also the creatives who give the tunnel life. Given the ephemeral nature of the tunnel art and its historical significance to the city, Georgia State University’s EPIC program, an academic research initiative dedicated to providing students with the opportunities to work on public-facing projects, has assembled a team of professors, graduate students, and undergraduates to document and catalog Krog Street tunnel’s art. In addition to regularly scanning and archiving the community’s tunnel art and murals, we also plan to conduct interviews with artists, patrons, and members of the community. This collection will become the basis of a frequently updated online publicly accessible 3d digital archive. Launched in 2022.

Aims to both preserve this unintentional archive as it was before Manuel’s Tavern underwent renovations in 2015 and provide a platform through which one might learn more about the individual items in this archive and even contribute to the knowledge about them. This project is the result of a collaboration via the Atlanta Studies Network, Emory University’s Center for Digital Scholarship, Georgia State University’s Center for Excellence in Teaching and Learning and University Library, with additional contributions from the Savannah College of Art & Design in Atlanta and the Center for Public History at the University of West Georgia. While some archives are carefully curated by experts with clear intentions and institutional resources supporting their creation, other archives are unintentional and organic collections of materials that have gathered in a corner of a city like driftwood on the beach.  One such example of the later type of archive are the walls of Manuel’s Tavern, which over the past half century have slowly evolved into a record of the local established political left that inhabited that space; where a generation of cops, soldiers, and politicians—who believed in a more representative democracy—gathered to eat pork chops in a neighborhood occupied by immigrants, hippies, and punks. And to this day neighbors still treat it like an extra living room, where they come to watch elections or play chess. The project has received both local coverage (Atlanta Journal-Constitution, WABE, Creative Loafing, ArtsATL) as well as national coverage (New York Times). Note: All photographs, videos, and other materials hosted on this site are licensed CC BY NC.

Recorded stories from Dr. John Burrison, Folklorist and Professor of English at Georgia State University, who has collected stories of folk music, pottery, legends, medicine, and religious practices in Atlanta. This walking tour will guide you through folk sites downtown, specifically around locations which now make up today’s GSU campus. This project was developed under the guidance of Dr. Brennan Collins for the Student Innovation Fellowship program at Georgia State University, Spring 2019.

The Great Speckled Bird was one of several underground newspapers that appeared in the United States in the 1960s. Published in Atlanta from 1968 to 1976, The Bird, as it was commonly known, was a new, radical voice from the South. The Bird stood out among the alternative press for the quality of its writing, its cover art and its fearless opinions and reporting on a range of topics—national and local politics, the counterculture, women’s issues, gay liberation, reproductive choice, music, art, and more. This Digital Collection includes items from the following collections: all issues of The Great Speckled Bird, including revival issues from 1984-1985 and 2006, digitized from physical copies in The Southern Labor Periodicals Collection; interviews with former staff members of the underground newspaper taken from The Great Speckled Bird Oral History Project Collection; images of Atlanta and its people from the Tom Coffin Photographic Collection. Coffin, a founding member of The Great Speckled Bird and life-long photographer, supplemented his work on the paper with photographs of the counter-culture in the 1960s and 1970s.

The exhibit commemorates the 50th anniversary of the publication of the first issue of The Great Speckled Bird. Content in this exhibit incorporates resources from Special Collections and Archives’ Digital Collections at the Georgia State University Library. The Great Speckled Bird (1968-1976) launched in 1968, a year of protests and political contestation around the globe. In Atlanta, the founders of the paper felt it necessary to create an outlet for news that presented a point of view unavailable in the city’s other media platforms. The Bird served as a clearinghouse for information about and as a call to action for the interconnected social movements of the 1960s and 1970s, including civil rights, anti-Vietnam War activism, and women’s and lesbian and gay liberation. The paper also focused attention on subjects and news largely ignored or selectively covered by the city’s mainstream news media.

Creative Loafing is an alternative newspaper covering arts, entertainment, music, news, and politics in metro Atlanta. The paper was founded in 1972 by Deborah and Elton (Chick) Eason and expanded to other cities in the 1980s and 1990s under Creative Loafing, Inc. It went through various ownerships, starting in 2009, before being purchased by Ben Eason, son of the founders, bringing the publication back to the family as Creative Loafing, LLC, in 2017. Creative Loafing Inc. was once the nation’s second-largest publisher of alternative weeklies. Creative Loafing continues to be published online as a regularly updated website, with special print editions published occasionally throughout the year. This Digital Collection currently includes all issues of Creative Loafing published between the inaugural issue of June 3, 1972 and October 1973. Additional issues will be added on an ongoing basis.

National Register of Historic Places Inventory nomination form submitted in 1980. Originally, the two-and-a-half-block area of the Underground district was a part of the larger gateway to the city. The history of this gateway to Atlanta mirrors the dynamic growth of the city as it expanded from a railroad and pedestrian town of the mid-nineteenth century into a regional automobile and air metropolis of the late-twentieth century. The Underground Atlanta Historic District consists of several components: an approximately two-block area of buildings bounded by Alabama Street, Central Avenue, Peachtree Street, and the rear lot lines of properties along the north side of Martin Luther King, Jr. Drive; viaducts on Central, Pryor, Alabama and Wall streets; store fronts along the north side of Alabama Street below the viaduct; the Georgia Railroad Freight Depot at the east end of Alabama Street; and the Zero Mile Post under the Central Avenue viaduct.

Originally built in 1925 as one of the first parking garages in the city, the Ivy Street Garage was renovated and opened to students in 1946. In 1964, it was renamed Kell Hall to honor Wayne S. Kell, the original director of the school. Kell Hall was demolished and replaced with a campus greenway in 2021. On this website, you can browse the collections of digital items gathered, read about Kell Hall’s history, take a virtual tour of the building and contribute your own stories to the project. 

The purpose of this tour is to have students explore some of the locations on or near GSU’s campus in Raymond Andrews’ memoir Once Upon a Time in Atlanta (Chattahoochee Review, v18, n2, 1998) and to provide some information about the Sweet Auburn District, the setting for most of the memoir. The tour is not meant to be an official tour of the Sweet Auburn District.

Raymond Andrews came to Atlanta in 1949, when he was 15 years old, to attend high school and work. While he went to school and worked outside of the neighborhood, Andrews lived in Sweet Auburn. This area was often considered the wealthiest African American business district in the U.S. for much of the early to mid-twentieth century. Andrews was here during the area’s heyday. Sweet Auburn developed after the 1906 Atlanta Race Massacre as black businesses moved out of the more integrated downtown area to avoid growing racial tensions during the rise of the Jim Crow era. For decades, the area was a prosperous foundation for African American business, culture, and leadership. The neighborhood played a significant role in the Civil Rights Movement, and is now home to many historic landmarks.

In the late twentieth century, the Sweet Auburn District faced many economic hardships after an interstate was built dividing the neighborhood, white flight to the suburbs, and the displacement of many African American neighborhoods by Urban Renewal. For the past few decades, the neighborhood has often been listed as one of the most endangered historic places in the country. As GSU grows, our campus has moved increasingly into Sweet Auburn.

Related resource
ATLMaps – https://atlmaps.org