digATL | The Digital Atlanta Portal

Digital collection of material related to city planning and urban development in Atlanta. The collection consists of city planning maps, city planning publications, demographic data, photographs depicting planning activities, oral histories, and aerial photographs. Much of the Planning Atlanta material was created by the City of Atlanta, the Atlanta Regional Commission (ARC), and the Atlanta Journal-Constitution. Additionally, items from other agencies and entities, such as the Metropolitan Atlanta Rapid Transit Authority (MARTA), are included. Planning Atlanta is a National Endowment for the Humanities (NEH) funded project and seeks to move beyond the traditional digital library model of simply providing digital equivalents of tangible objects. This city planning focused collection provides free and open access to digitally transformed, dynamic, and engaging content with the goal of enhancing this material for educational and research uses. Many items in the collection have been transformed into digital objects that can be engaged with and manipulated. 

This digital collection contains digitized versions of items that are owned by the Atlanta-Fulton Public Library. Currently, the collection contains historical maps, dating from the 1850s to the 1980s, of Atlanta and the surrounding area. The maps were created by a variety of entities and for various purposes. More content is expected to be added to this collection in the future.

Online exhibit feature photographs and negatives from Georgia State University’s Special Collections and Archives, consisting of images from six photographic collecting areas: Lane Brothers Commercial Photographers, Tracy W. O’Neal, Ernest G. Welch, Tom Coffin, David Lennox, and the Atlanta Journal-Constitution Photographic Archives. These visual treasures document daily life in Atlanta and the region during the twentieth century. This exhibit explores several different types of photography, from commercial to photojournalism, and the challenges of preserving a variety of photographic prints, negatives and born-digital materials of ever-changing technological formats. Over time, these unique images deteriorate, endangering our ability to provide access to the unique information about the many facets of public and private life as well as the built environment and natural world that only a photograph can provide. The physical exhibit was on display at Georgia State University’s Library Special Collections and Archives department from September 23, 2018–July 1, 2019.

The Great Speckled Bird was one of several underground newspapers that appeared in the United States in the 1960s. Published in Atlanta from 1968 to 1976, The Bird, as it was commonly known, was a new, radical voice from the South. The Bird stood out among the alternative press for the quality of its writing, its cover art and its fearless opinions and reporting on a range of topics—national and local politics, the counterculture, women’s issues, gay liberation, reproductive choice, music, art, and more. This Digital Collection includes items from the following collections: all issues of The Great Speckled Bird, including revival issues from 1984-1985 and 2006, digitized from physical copies in The Southern Labor Periodicals Collection; interviews with former staff members of the underground newspaper taken from The Great Speckled Bird Oral History Project Collection; images of Atlanta and its people from the Tom Coffin Photographic Collection. Coffin, a founding member of The Great Speckled Bird and life-long photographer, supplemented his work on the paper with photographs of the counter-culture in the 1960s and 1970s.

The exhibit commemorates the 50th anniversary of the publication of the first issue of The Great Speckled Bird. Content in this exhibit incorporates resources from Special Collections and Archives’ Digital Collections at the Georgia State University Library. The Great Speckled Bird (1968-1976) launched in 1968, a year of protests and political contestation around the globe. In Atlanta, the founders of the paper felt it necessary to create an outlet for news that presented a point of view unavailable in the city’s other media platforms. The Bird served as a clearinghouse for information about and as a call to action for the interconnected social movements of the 1960s and 1970s, including civil rights, anti-Vietnam War activism, and women’s and lesbian and gay liberation. The paper also focused attention on subjects and news largely ignored or selectively covered by the city’s mainstream news media.

Leading up to and after the Women’s March of 2017, Georgia activists, Lucy Hargrett Draper, and her niece, Chrisy Erickson Strum documented emerging and ongoing activism through what they are calling their U.S. Women’s Protest “Reckoning” collection, which includes events and activities occurring in Atlanta. What they have given Georgia State University is a remarkably rich resource that will continue to grow as movements and campaigns evolve. The collection serves as a companion to oral histories, photographs, textiles and artifacts that have been donated by March participants since 2017. This online exhibit highlights some of the themes from the “Reckoning” collection.

Highlights aspects of Atlanta’s LGBTQ+ history that are most fully documented by GSU Archives & Special Collections. The Gender and Sexuality Collections at Georgia State University have grown rapidly since the first donation in 2011. Currently, the manuscript collections measure over 550 linear feet. An extensive periodical collection with over 670 titles includes more than 8,700 individual items, and almost 3,000 books have been donated. Further, 110 oral histories have been conducted by GSU staff and volunteers and 46 interviews have been donated by others.

Creative Loafing is an alternative newspaper covering arts, entertainment, music, news, and politics in metro Atlanta. The paper was founded in 1972 by Deborah and Elton (Chick) Eason and expanded to other cities in the 1980s and 1990s under Creative Loafing, Inc. It went through various ownerships, starting in 2009, before being purchased by Ben Eason, son of the founders, bringing the publication back to the family as Creative Loafing, LLC, in 2017. Creative Loafing Inc. was once the nation’s second-largest publisher of alternative weeklies. Creative Loafing continues to be published online as a regularly updated website, with special print editions published occasionally throughout the year. This Digital Collection currently includes all issues of Creative Loafing published between the inaugural issue of June 3, 1972 and October 1973. Additional issues will be added on an ongoing basis.

Founded in 1913, Georgia State University grew as it supported the educational needs of Atlanta and the state of Georgia. Originally an evening program intended for the Atlanta business community, the school achieved university status in 1969. With this new phase of academic growth, the administration focused on expanding the University Library’s ability to support advanced research. The Library’s Special Collections and Archives launched formally in 1971, with the mission of collecting rare and unique primary source material to support teaching and scholarship. Our first collections directly engaged the research needs of our faculty and students focusing on the people, communities, and events that shaped modern-day Atlanta, Georgia, and the New South. This focus on documenting the sometimes contentious, too often racist and sexist, but always fascinating story of modern-day Atlanta has led us to seek out and preserve the stories of everyday people. The stories maintained in our archives are not just of the powerful and famous, they are the stories of everyday people who recognized injustice and organized their peers, family, coworkers, and lives around rectifying that injustice and making Atlanta a more equitable city. Fifty years ago, our collections started with one box and a single collecting focus on southern labor unions. As our collecting areas have grown from one to nine, so has the department. Today our collecting areas — Southern Labor, Photographs, Women’s, Gender & Sexuality, Music & Radio Broadcasting, Social Change, Rare Books, Pulp Literature, and University Archives — consist of 8 miles of materials and several terabytes of digital content. Georgia State’s Special Collections & Archives gives researchers an in-depth view of life in 20th and 21st Century Atlanta and the Greater Southeast Region. This expansion of collecting has been possible only through creating connections to passionately engaged community partners. From the LGBTQ Institute and We Love BuHi to the Atlanta Journal Constitution and the AFL-CIO, Special Collections builds relationships with communities all over Atlanta and the South. The collections entrusted to us document the stories, accomplishments, and struggles of those communities. Bridging Communities introduces a few stories found in our collections, such as the women who organized domestic workers for basic work protections; a woman who recognized a need to support families of incarcerated mothers; a sanitation workers’ strike protesting continued discrimination in hiring and promotions, poor working conditions, and low pay; women fighting for equal rights; the University’s struggle with racial tensions on campus; a grassroots campaign to retain the musical director of the Atlanta Symphony Orchestra; and organizations working to assist the homeless and other marginalized groups. This exhibit is a testament to the important role archives play within the communities they serve.

In commemoration of the 120th anniversary of the founding of the Grady Memorial Hospital School of Nursing. The Grady Memorial Hospital School of Nursing, chartered in 1898, was the first nursing school in Georgia and served as a cornerstone to the education and training of nurses in the region and across the United States. In 1917 the Municipal Training School for Colored Nurses at Grady was chartered, providing nursing education to black nursing students. These two programs were integrated in September 1964. During its tenure of 84 years, the School trained over 4,000 nurses as it grew and developed along with the field of nursing education.
Keywords: exhibits, collections, healthcare, higher education

Black Neighborhoods and the Creation of Black Atlanta explores the history of Black neighborhoods in Atlanta. It provides an overview of several of these neighborhoods: Summerhill, Vine City, West End, Lightning, and Johnsontown. The exhibit highlights archival collections held in the Archives Research Center at the Atlanta University Center Robert W. Woodruff Library. Collections include the Maynard Jackson Mayoral Administrative records, the Atlanta Urban League papers, the Atlanta Community Relations Commission collection, the Grace Towns Hamilton papers, the Neighborhood Union collection, the John H. Calhoun, Jr. papers, the Samuel W. Williams papers, the Atlanta Neighborhood Planning vertical file, the Johnsontown Neighborhood collection, and the Vivian W. Henderson papers. Exhibit created by Brittany Newberry.

The Georgia Government Documentation Project (GGDP) documents the state’s political heritage through oral history interviews and collections of associated papers. The GGDP collection includes more than 250 interviews with former governors, legislators, women in politics, African American political activists and leaders, journalists, and numerous other public figures. In addition to the interviews generated by the project, the GGDP actively collects interviews conducted by other scholars of Georgia politics. Special Collections and Archives is continually working to digitize more interviews and add them to those already digitally available.