digATL | The Digital Atlanta Portal

GSU professor Taylor Shelton’s blog exploring all of Atlanta’s oddities and inequalities with maps. Issues covered are fundamentally about geography, about how places are the way they are and how they change over time and how all of that matters to the people that occupy those places. Atlanta is one of the most interesting and unique cities in the US, if not the world, but it’s also one that’s been chronically understudied relative to other large cities. Even if more were written about Atlanta on a consistent basis, the city’s rapid changes necessitate ever more investigation of what’s happening, where and why. Atlanta consistently has some of the highest levels of income inequality of any city or metro across the entire United States. And while the city had a reputation for being one of the most affordable large metros, the last several years have seen some of the most rapid housing price increases of anywhere across the country, with unchecked gentrification running rampant in some historically Black neighborhoods.

Aims to both preserve this unintentional archive as it was before Manuel’s Tavern underwent renovations in 2015 and provide a platform through which one might learn more about the individual items in this archive and even contribute to the knowledge about them. This project is the result of a collaboration via the Atlanta Studies Network, Emory University’s Center for Digital Scholarship, Georgia State University’s Center for Excellence in Teaching and Learning and University Library, with additional contributions from the Savannah College of Art & Design in Atlanta and the Center for Public History at the University of West Georgia. While some archives are carefully curated by experts with clear intentions and institutional resources supporting their creation, other archives are unintentional and organic collections of materials that have gathered in a corner of a city like driftwood on the beach.  One such example of the later type of archive are the walls of Manuel’s Tavern, which over the past half century have slowly evolved into a record of the local established political left that inhabited that space; where a generation of cops, soldiers, and politicians—who believed in a more representative democracy—gathered to eat pork chops in a neighborhood occupied by immigrants, hippies, and punks. And to this day neighbors still treat it like an extra living room, where they come to watch elections or play chess. The project has received both local coverage (Atlanta Journal-Constitution, WABE, Creative Loafing, ArtsATL) as well as national coverage (New York Times). Note: All photographs, videos, and other materials hosted on this site are licensed CC BY NC.

The Great Speckled Bird was one of several underground newspapers that appeared in the United States in the 1960s. Published in Atlanta from 1968 to 1976, The Bird, as it was commonly known, was a new, radical voice from the South. The Bird stood out among the alternative press for the quality of its writing, its cover art and its fearless opinions and reporting on a range of topics—national and local politics, the counterculture, women’s issues, gay liberation, reproductive choice, music, art, and more. This Digital Collection includes items from the following collections: all issues of The Great Speckled Bird, including revival issues from 1984-1985 and 2006, digitized from physical copies in The Southern Labor Periodicals Collection; interviews with former staff members of the underground newspaper taken from The Great Speckled Bird Oral History Project Collection; images of Atlanta and its people from the Tom Coffin Photographic Collection. Coffin, a founding member of The Great Speckled Bird and life-long photographer, supplemented his work on the paper with photographs of the counter-culture in the 1960s and 1970s.

The exhibit commemorates the 50th anniversary of the publication of the first issue of The Great Speckled Bird. Content in this exhibit incorporates resources from Special Collections and Archives’ Digital Collections at the Georgia State University Library. The Great Speckled Bird (1968-1976) launched in 1968, a year of protests and political contestation around the globe. In Atlanta, the founders of the paper felt it necessary to create an outlet for news that presented a point of view unavailable in the city’s other media platforms. The Bird served as a clearinghouse for information about and as a call to action for the interconnected social movements of the 1960s and 1970s, including civil rights, anti-Vietnam War activism, and women’s and lesbian and gay liberation. The paper also focused attention on subjects and news largely ignored or selectively covered by the city’s mainstream news media.

Leading up to and after the Women’s March of 2017, Georgia activists, Lucy Hargrett Draper, and her niece, Chrisy Erickson Strum documented emerging and ongoing activism through what they are calling their U.S. Women’s Protest “Reckoning” collection, which includes events and activities occurring in Atlanta. What they have given Georgia State University is a remarkably rich resource that will continue to grow as movements and campaigns evolve. The collection serves as a companion to oral histories, photographs, textiles and artifacts that have been donated by March participants since 2017. This online exhibit highlights some of the themes from the “Reckoning” collection.

Creative Loafing is an alternative newspaper covering arts, entertainment, music, news, and politics in metro Atlanta. The paper was founded in 1972 by Deborah and Elton (Chick) Eason and expanded to other cities in the 1980s and 1990s under Creative Loafing, Inc. It went through various ownerships, starting in 2009, before being purchased by Ben Eason, son of the founders, bringing the publication back to the family as Creative Loafing, LLC, in 2017. Creative Loafing Inc. was once the nation’s second-largest publisher of alternative weeklies. Creative Loafing continues to be published online as a regularly updated website, with special print editions published occasionally throughout the year. This Digital Collection currently includes all issues of Creative Loafing published between the inaugural issue of June 3, 1972 and October 1973. Additional issues will be added on an ongoing basis.

The Georgia Government Documentation Project (GGDP) documents the state’s political heritage through oral history interviews and collections of associated papers. The GGDP collection includes more than 250 interviews with former governors, legislators, women in politics, African American political activists and leaders, journalists, and numerous other public figures. In addition to the interviews generated by the project, the GGDP actively collects interviews conducted by other scholars of Georgia politics. Special Collections and Archives is continually working to digitize more interviews and add them to those already digitally available.

The Lucy Hargrett Draper Collections on Women’s Rights, Advocacy and the Law document state and national efforts to achieve equality for women. They include the Lucy Hargrett Draper U.S. Equal Rights Amendment (1921-1982) Research Collection, the Lucy Hargrett Draper Papers on Feminist Activism in U.S. Politics, the Lucy Hargrett Draper Papers on the Creation of Women’s Archives, the Lucy Hargrett Draper Papers on the Second U.S. Women’s Movement (1963-1982), the Lucy Hargrett Draper Papers on Institutional Reforms for Women and the U.S. Military, 1970-1984, the Lucy Hargrett Draper Artifact Collection, and the Lucy Hargrett Draper Personal Papers. 

Tells the story of the 1906 Race Riot, a three-day massacre that spread through Atlanta, starting downtown on Saturday, September 22 and ending with the arrest of hundreds of civilians on Tuesday, September 25. The tour, put together by undergraduate students in Georgia State University’s EPIC Project Lab, uses quotations from Veiled Visions: The 1906 Atlanta Race Riot and the Reshaping of American Race Relations by David Fort Godshalk (UNC Press, 2005), a book examining the long-last impact that the riot had on Atlanta and especially on its race relations. Law enforcement agents and government authorities failed dramatically to protect Atlanta’s marginalized and vulnerable citizens. Both the Atlanta Police Department and the Governor’s Mansion stood only a few minutes’ walk from Five Points, where the violence had erupted, yet the police and the governor failed to intervene significantly until lives had already been lost.

Photographic collection contains images of AT&T, Atlanta Gas Light Company, Coca-Cola, Delta Air Lines, Eastern Air Lines, Rich’s, Shriners Yaarab Temple, and the Southeastern Fair while other images illustrate the development of Atlanta’s transportation system. During World War II, the studio produced photographic documentation of the Works Progress Administration, the Office of Price Administration, the Office of Civilian Defense, and the United Service Organization. The collection depicts Atlanta’s social and political changes with images of preparation for World War II, African Americans registering to vote, Ku Klux Klan rallies at Stone Mountain, political campaigns, sports events, labor union activities, motion picture premiers (including Gone with the Wind), disasters, and individual portraits. Notable public figures include Ivan Allen, Ellis Arnall, William B. Hartsfield, Roy LeCraw, Lester Maddox, Margaret Mitchell, Franklin D. Roosevelt, E.D. Rivers, Carl Sanders, Eugene Talmadge, and Robert W. Woodruff.

Collection contains 258,100 (196,800 4×5 inch and 61,300 2 1/2 inch) acetate negatives which are housed in 43,486 envelopes. The collection spans the years 1920 to 1976 with the bulk of the negatives dating from 1939 to 1975. Some of the images are copy negatives of photographs which date as early as 1864.

The images are organized into six series (1) Corporate bodies, (2) Geographic places, (3) Events, (4) Portraits, (5) Things, and (6) Miscellaneous-sized negatives. The collection consists of photographic negatives and prints of the Lane Brothers Commercial Photographers (Atlanta, Ga.) and its predecessor the Lane Brothers Photo News Service from ca. 1920-1976. Early materials (1920’s-1939) include glass plate negatives and photographs taken by Jack Lane and his brother W.C. Lane as freelance photographers for the Atlanta News, other newspapers, and wire services. The bulk of the collection consists of images of the Atlanta, Georgia area documenting its economic growth, social changes, and political activities over the years.

Also included is an inventory of unscanned negatives in the Lane Brothers photographic collection.

Copyright to items in this collection is owned by Georgia State University Library. Items may be used for scholarship, educational, and personal use. Additional uses will require permission of the rights holder.