digATL | The Digital Atlanta Portal

During the 1970s, Georgia State University archaeologists conducted systematic excavations associated with the construction of the Metro Atlanta Rapid Transit Authority (MARTA) rail lines. This project recovered the material remains of Atlanta’s past, and these materials represent the single most comprehensive archaeological collection of Atlanta’s history. In addition, the excavations themselves are among the pioneering projects of urban archaeology in the then nascent field of CRM (Cultural Resource Management). Thus, just the excavation archive, which is part of the collection, is invaluable for the history of archaeology in the US, especially the burgeoning new field of urban archaeology. The entire collection (440 medium-sized “banker” boxes housing over 100,000 artifacts and all the accompanying documentation and excavation archive) has recently been returned to GSU. Showcasing significant “moments” in the life of the city, including several Civil War sites associated with the Battle of Atlanta, the majority of the collection corresponds to the late 19th and early 20th century, the time of Atlanta’s rebirth as a major metropolitan area, the collection opens immense opportunities for faculty and student research and public education and outreach. Furthermore, it will facilitate interdisciplinary collaborations within GSU, as well as with other universities in the Atlanta-area for the curation, conservation, study, and exhibition of the artifacts and archive.

Related Content

• The Phoenix Lab, https://anthropology.gsu.edu/phoenix-lab/
• The Phoenix Project, https://epic.gsu.edu/project-labs/phoenix-project/
• Wharton, Robin, “The Phoenix Project,” Atlanta Studies, June 22, 2016, https://doi.org/10.18737/atls20160622

A Community Interactive Digital Archive. Krog Street Tunnel is one of Atlanta’s premier destinations for street art, political communication, and a community bulletin board. Since the late 1960s, artists have added and subtracted new paintings, messages, and designs to its walls, effectively creating a rapidly changing archive of local cultural concerns. The tunnel and the walls connected to it on DeKalb Avenue and Wylie Street comprise a single living dynamic work of art that is a cultural center of Cabbagetown. As such, to understand the cultural composition of the town, it is important to not only examine the art but also the creatives who give the tunnel life. Given the ephemeral nature of the tunnel art and its historical significance to the city, Georgia State University’s EPIC program, an academic research initiative dedicated to providing students with the opportunities to work on public-facing projects, has assembled a team of professors, graduate students, and undergraduates to document and catalog Krog Street tunnel’s art. In addition to regularly scanning and archiving the community’s tunnel art and murals, we also plan to conduct interviews with artists, patrons, and members of the community. This collection will become the basis of a frequently updated online publicly accessible 3d digital archive. Launched in 2022.

Online exhibit feature photographs and negatives from Georgia State University’s Special Collections and Archives, consisting of images from six photographic collecting areas: Lane Brothers Commercial Photographers, Tracy W. O’Neal, Ernest G. Welch, Tom Coffin, David Lennox, and the Atlanta Journal-Constitution Photographic Archives. These visual treasures document daily life in Atlanta and the region during the twentieth century. This exhibit explores several different types of photography, from commercial to photojournalism, and the challenges of preserving a variety of photographic prints, negatives and born-digital materials of ever-changing technological formats. Over time, these unique images deteriorate, endangering our ability to provide access to the unique information about the many facets of public and private life as well as the built environment and natural world that only a photograph can provide. The physical exhibit was on display at Georgia State University’s Library Special Collections and Archives department from September 23, 2018–July 1, 2019.