digATL | The Digital Atlanta Portal

The ATLMaps platform, a collaboration between Georgia State University and Emory University, combines archival maps, geospatial data visualization, and user contributed multimedia location pinpoints to promote investigation into any number of issues about Atlanta. While currently focused on one city to demonstrate the power of stacking thousands of layers of information on one place, this innovative online platform allows users to layer an increasing number of interdisciplinary data to address the complex issues that any city poses. The project looks to offer a framework that incorporates storytelling reliant on geospatial data and for normalizing input across a range of data sets about so that material can be cross-compared in novel ways, allowing users to make connections between seemingly unrelated data sources and ask questions that would not be apparent when only looking at one particular project. The ATLMaps project will also encourage knowledgeable members of the university and local communities to curate data on the site to demonstrate the possibilities for synthesizing material across projects and data types.

Complete list of ATLMaps contributors and past and present team members at https://atlmaps.org/about

A Community Interactive Digital Archive. Krog Street Tunnel is one of Atlanta’s premier destinations for street art, political communication, and a community bulletin board. Since the late 1960s, artists have added and subtracted new paintings, messages, and designs to its walls, effectively creating a rapidly changing archive of local cultural concerns. The tunnel and the walls connected to it on DeKalb Avenue and Wylie Street comprise a single living dynamic work of art that is a cultural center of Cabbagetown. As such, to understand the cultural composition of the town, it is important to not only examine the art but also the creatives who give the tunnel life. Given the ephemeral nature of the tunnel art and its historical significance to the city, Georgia State University’s EPIC program, an academic research initiative dedicated to providing students with the opportunities to work on public-facing projects, has assembled a team of professors, graduate students, and undergraduates to document and catalog Krog Street tunnel’s art. In addition to regularly scanning and archiving the community’s tunnel art and murals, we also plan to conduct interviews with artists, patrons, and members of the community. This collection will become the basis of a frequently updated online publicly accessible 3d digital archive. Launched in 2022.

Aims to both preserve this unintentional archive as it was before Manuel’s Tavern underwent renovations in 2015 and provide a platform through which one might learn more about the individual items in this archive and even contribute to the knowledge about them. This project is the result of a collaboration via the Atlanta Studies Network, Emory University’s Center for Digital Scholarship, Georgia State University’s Center for Excellence in Teaching and Learning and University Library, with additional contributions from the Savannah College of Art & Design in Atlanta and the Center for Public History at the University of West Georgia. While some archives are carefully curated by experts with clear intentions and institutional resources supporting their creation, other archives are unintentional and organic collections of materials that have gathered in a corner of a city like driftwood on the beach.  One such example of the later type of archive are the walls of Manuel’s Tavern, which over the past half century have slowly evolved into a record of the local established political left that inhabited that space; where a generation of cops, soldiers, and politicians—who believed in a more representative democracy—gathered to eat pork chops in a neighborhood occupied by immigrants, hippies, and punks. And to this day neighbors still treat it like an extra living room, where they come to watch elections or play chess. The project has received both local coverage (Atlanta Journal-Constitution, WABE, Creative Loafing, ArtsATL) as well as national coverage (New York Times). Note: All photographs, videos, and other materials hosted on this site are licensed CC BY NC.

Atlanta, originally named Terminus, has a profound history which is extensively intertwined with transit. This project visualizes how the city’s public transit system, now a shadow of what it once was, falls short of its far-reaching intentions. By highlighting the routes which have been proposed in the development of these systems, this project aims to contribute to larger discussions taking place around the topic of public transit in Atlanta. The displayed map layers were georeferenced from planning documents available through GSU’s Planning Atlanta collection. These historical, paper maps often served general planning purposes and therefore were not created with attention to precise geographical accuracy. While map layers represented here accurately reflect rail transportation routes displayed by planning documents, please be advised that the map layers accessible from this page have limited geographical accuracy and do not necessarily align with one another. 

Online exhibit feature photographs and negatives from Georgia State University’s Special Collections and Archives, consisting of images from six photographic collecting areas: Lane Brothers Commercial Photographers, Tracy W. O’Neal, Ernest G. Welch, Tom Coffin, David Lennox, and the Atlanta Journal-Constitution Photographic Archives. These visual treasures document daily life in Atlanta and the region during the twentieth century. This exhibit explores several different types of photography, from commercial to photojournalism, and the challenges of preserving a variety of photographic prints, negatives and born-digital materials of ever-changing technological formats. Over time, these unique images deteriorate, endangering our ability to provide access to the unique information about the many facets of public and private life as well as the built environment and natural world that only a photograph can provide. The physical exhibit was on display at Georgia State University’s Library Special Collections and Archives department from September 23, 2018–July 1, 2019.

Prepared by the Spring 2006 Preservation Planning students. This project, developed in a collaborative effort by the Atlanta Urban Design commission and GSU students, was designed to highlight the history of the proposed redevelopment nodes along the Beltline, which is an outer band railroad line encircling the city. The purpose was to identify the significance of the resources therein and their links to Atlanta’s history, providing assistance in the overall development process of the Beltline project.

Recorded stories from Dr. John Burrison, Folklorist and Professor of English at Georgia State University, who has collected stories of folk music, pottery, legends, medicine, and religious practices in Atlanta. This walking tour will guide you through folk sites downtown, specifically around locations which now make up today’s GSU campus. This project was developed under the guidance of Dr. Brennan Collins for the Student Innovation Fellowship program at Georgia State University, Spring 2019.

The Great Speckled Bird was one of several underground newspapers that appeared in the United States in the 1960s. Published in Atlanta from 1968 to 1976, The Bird, as it was commonly known, was a new, radical voice from the South. The Bird stood out among the alternative press for the quality of its writing, its cover art and its fearless opinions and reporting on a range of topics—national and local politics, the counterculture, women’s issues, gay liberation, reproductive choice, music, art, and more. This Digital Collection includes items from the following collections: all issues of The Great Speckled Bird, including revival issues from 1984-1985 and 2006, digitized from physical copies in The Southern Labor Periodicals Collection; interviews with former staff members of the underground newspaper taken from The Great Speckled Bird Oral History Project Collection; images of Atlanta and its people from the Tom Coffin Photographic Collection. Coffin, a founding member of The Great Speckled Bird and life-long photographer, supplemented his work on the paper with photographs of the counter-culture in the 1960s and 1970s.

The exhibit commemorates the 50th anniversary of the publication of the first issue of The Great Speckled Bird. Content in this exhibit incorporates resources from Special Collections and Archives’ Digital Collections at the Georgia State University Library. The Great Speckled Bird (1968-1976) launched in 1968, a year of protests and political contestation around the globe. In Atlanta, the founders of the paper felt it necessary to create an outlet for news that presented a point of view unavailable in the city’s other media platforms. The Bird served as a clearinghouse for information about and as a call to action for the interconnected social movements of the 1960s and 1970s, including civil rights, anti-Vietnam War activism, and women’s and lesbian and gay liberation. The paper also focused attention on subjects and news largely ignored or selectively covered by the city’s mainstream news media.

Leading up to and after the Women’s March of 2017, Georgia activists, Lucy Hargrett Draper, and her niece, Chrisy Erickson Strum documented emerging and ongoing activism through what they are calling their U.S. Women’s Protest “Reckoning” collection, which includes events and activities occurring in Atlanta. What they have given Georgia State University is a remarkably rich resource that will continue to grow as movements and campaigns evolve. The collection serves as a companion to oral histories, photographs, textiles and artifacts that have been donated by March participants since 2017. This online exhibit highlights some of the themes from the “Reckoning” collection.

Highlights aspects of Atlanta’s LGBTQ+ history that are most fully documented by GSU Archives & Special Collections. The Gender and Sexuality Collections at Georgia State University have grown rapidly since the first donation in 2011. Currently, the manuscript collections measure over 550 linear feet. An extensive periodical collection with over 670 titles includes more than 8,700 individual items, and almost 3,000 books have been donated. Further, 110 oral histories have been conducted by GSU staff and volunteers and 46 interviews have been donated by others.

Creative Loafing is an alternative newspaper covering arts, entertainment, music, news, and politics in metro Atlanta. The paper was founded in 1972 by Deborah and Elton (Chick) Eason and expanded to other cities in the 1980s and 1990s under Creative Loafing, Inc. It went through various ownerships, starting in 2009, before being purchased by Ben Eason, son of the founders, bringing the publication back to the family as Creative Loafing, LLC, in 2017. Creative Loafing Inc. was once the nation’s second-largest publisher of alternative weeklies. Creative Loafing continues to be published online as a regularly updated website, with special print editions published occasionally throughout the year. This Digital Collection currently includes all issues of Creative Loafing published between the inaugural issue of June 3, 1972 and October 1973. Additional issues will be added on an ongoing basis.