digATL | The Digital Atlanta Portal

Georgia State University students map Atlanta’s past. This website is produced by Dr. Marni Davis and her students at the downtown Atlanta campus of Georgia State University. GSU has been part of downtown Atlanta since 1913, when it was founded to offer evening courses in business and commerce. As GSU grew, so did its presence in the city. Today, GSU’s downtown campus includes historic buildings and neighborhoods, brand new buildings and public space, urban renewal project areas, and an Olympic stadium. But cities are always built on top of history. What was here before GSU’s campus as we know it? If the past is invisible to us at street level, how can we make it visible?

Within Georgia State University Library’s digital collections can be found a series of approximately 100 photographs depicting downtown Atlanta streets in 1927, focusing mainly on the area just south of GSU’s present-day downtown campus. These images were scanned from glass plate negatives owned by the Special Collections of the Atlanta-Fulton Public Library System, which were loaned to GSU Library so that they could be digitized and shared with a wider audience. Of particular interest are images of city streets and storefronts at street level before many were covered over to make way for the “twin viaducts” project of 1927-1929, the city project that elevated the street levels of Central Avenue and Pryor Street (the viaducts) running north to south as well as Alabama and Wall Streets (the laterals) running east to west. This project quite literally entombed the original ground-level streets and storefronts below to become what we now know as Underground Atlanta. Thanks to this unique collection of images, we can return to downtown Atlanta before the construction of these viaducts and elevated streets.

Digital tour of the rise and fall of the bawdy brothels that lined Downtown Atlanta’s Collins Street from the late 1800s to the early 1900s—showcasing tantalizing tidbits from newspapers, census records, city directories, property records, maps, and more from Georgia State University Library’s digital resources. Walk the streets (well, not like that!) and transport your imagination back to those bygone days when sin and Southern hospitality went hand in hand. Launched Spring 2022.

During the 1970s, Georgia State University archaeologists conducted systematic excavations associated with the construction of the Metro Atlanta Rapid Transit Authority (MARTA) rail lines. This project recovered the material remains of Atlanta’s past, and these materials represent the single most comprehensive archaeological collection of Atlanta’s history. In addition, the excavations themselves are among the pioneering projects of urban archaeology in the then nascent field of CRM (Cultural Resource Management). Thus, just the excavation archive, which is part of the collection, is invaluable for the history of archaeology in the US, especially the burgeoning new field of urban archaeology. The entire collection (440 medium-sized “banker” boxes housing over 100,000 artifacts and all the accompanying documentation and excavation archive) has recently been returned to GSU. Showcasing significant “moments” in the life of the city, including several Civil War sites associated with the Battle of Atlanta, the majority of the collection corresponds to the late 19th and early 20th century, the time of Atlanta’s rebirth as a major metropolitan area, the collection opens immense opportunities for faculty and student research and public education and outreach. Furthermore, it will facilitate interdisciplinary collaborations within GSU, as well as with other universities in the Atlanta-area for the curation, conservation, study, and exhibition of the artifacts and archive.

Beginning in 1960, the Atlanta sit-in movement took over the downtown area of the city. Follow this tour to see where student activists conducted their peaceful protests and sat down to stand up for what they believed in. You’ll learn about major players and events of the movement while visiting the actual sites where they happened. Historic photos and descriptions will help you see what the protestors saw and take you back to this time of energy and passion in Atlanta’s past. Created Spring 2019.

A Community Interactive Digital Archive. Krog Street Tunnel is one of Atlanta’s premier destinations for street art, political communication, and a community bulletin board. Since the late 1960s, artists have added and subtracted new paintings, messages, and designs to its walls, effectively creating a rapidly changing archive of local cultural concerns. The tunnel and the walls connected to it on DeKalb Avenue and Wylie Street comprise a single living dynamic work of art that is a cultural center of Cabbagetown. As such, to understand the cultural composition of the town, it is important to not only examine the art but also the creatives who give the tunnel life. Given the ephemeral nature of the tunnel art and its historical significance to the city, Georgia State University’s EPIC program, an academic research initiative dedicated to providing students with the opportunities to work on public-facing projects, has assembled a team of professors, graduate students, and undergraduates to document and catalog Krog Street tunnel’s art. In addition to regularly scanning and archiving the community’s tunnel art and murals, we also plan to conduct interviews with artists, patrons, and members of the community. This collection will become the basis of a frequently updated online publicly accessible 3d digital archive. Launched in 2022.

Aims to both preserve this unintentional archive as it was before Manuel’s Tavern underwent renovations in 2015 and provide a platform through which one might learn more about the individual items in this archive and even contribute to the knowledge about them. This project is the result of a collaboration via the Atlanta Studies Network, Emory University’s Center for Digital Scholarship, Georgia State University’s Center for Excellence in Teaching and Learning and University Library, with additional contributions from the Savannah College of Art & Design in Atlanta and the Center for Public History at the University of West Georgia. While some archives are carefully curated by experts with clear intentions and institutional resources supporting their creation, other archives are unintentional and organic collections of materials that have gathered in a corner of a city like driftwood on the beach.  One such example of the later type of archive are the walls of Manuel’s Tavern, which over the past half century have slowly evolved into a record of the local established political left that inhabited that space; where a generation of cops, soldiers, and politicians—who believed in a more representative democracy—gathered to eat pork chops in a neighborhood occupied by immigrants, hippies, and punks. And to this day neighbors still treat it like an extra living room, where they come to watch elections or play chess. The project has received both local coverage (Atlanta Journal-Constitution, WABE, Creative Loafing, ArtsATL) as well as national coverage (New York Times). Note: All photographs, videos, and other materials hosted on this site are licensed CC BY NC.

Online exhibit feature photographs and negatives from Georgia State University’s Special Collections and Archives, consisting of images from six photographic collecting areas: Lane Brothers Commercial Photographers, Tracy W. O’Neal, Ernest G. Welch, Tom Coffin, David Lennox, and the Atlanta Journal-Constitution Photographic Archives. These visual treasures document daily life in Atlanta and the region during the twentieth century. This exhibit explores several different types of photography, from commercial to photojournalism, and the challenges of preserving a variety of photographic prints, negatives and born-digital materials of ever-changing technological formats. Over time, these unique images deteriorate, endangering our ability to provide access to the unique information about the many facets of public and private life as well as the built environment and natural world that only a photograph can provide. The physical exhibit was on display at Georgia State University’s Library Special Collections and Archives department from September 23, 2018–July 1, 2019.

Prepared by the Spring 2006 Preservation Planning students. This project, developed in a collaborative effort by the Atlanta Urban Design commission and GSU students, was designed to highlight the history of the proposed redevelopment nodes along the Beltline, which is an outer band railroad line encircling the city. The purpose was to identify the significance of the resources therein and their links to Atlanta’s history, providing assistance in the overall development process of the Beltline project.

Highlights aspects of Atlanta’s LGBTQ+ history that are most fully documented by GSU Archives & Special Collections. The Gender and Sexuality Collections at Georgia State University have grown rapidly since the first donation in 2011. Currently, the manuscript collections measure over 550 linear feet. An extensive periodical collection with over 670 titles includes more than 8,700 individual items, and almost 3,000 books have been donated. Further, 110 oral histories have been conducted by GSU staff and volunteers and 46 interviews have been donated by others.

Founded in 1913, Georgia State University grew as it supported the educational needs of Atlanta and the state of Georgia. Originally an evening program intended for the Atlanta business community, the school achieved university status in 1969. With this new phase of academic growth, the administration focused on expanding the University Library’s ability to support advanced research. The Library’s Special Collections and Archives launched formally in 1971, with the mission of collecting rare and unique primary source material to support teaching and scholarship. Our first collections directly engaged the research needs of our faculty and students focusing on the people, communities, and events that shaped modern-day Atlanta, Georgia, and the New South. This focus on documenting the sometimes contentious, too often racist and sexist, but always fascinating story of modern-day Atlanta has led us to seek out and preserve the stories of everyday people. The stories maintained in our archives are not just of the powerful and famous, they are the stories of everyday people who recognized injustice and organized their peers, family, coworkers, and lives around rectifying that injustice and making Atlanta a more equitable city. Fifty years ago, our collections started with one box and a single collecting focus on southern labor unions. As our collecting areas have grown from one to nine, so has the department. Today our collecting areas — Southern Labor, Photographs, Women’s, Gender & Sexuality, Music & Radio Broadcasting, Social Change, Rare Books, Pulp Literature, and University Archives — consist of 8 miles of materials and several terabytes of digital content. Georgia State’s Special Collections & Archives gives researchers an in-depth view of life in 20th and 21st Century Atlanta and the Greater Southeast Region. This expansion of collecting has been possible only through creating connections to passionately engaged community partners. From the LGBTQ Institute and We Love BuHi to the Atlanta Journal Constitution and the AFL-CIO, Special Collections builds relationships with communities all over Atlanta and the South. The collections entrusted to us document the stories, accomplishments, and struggles of those communities. Bridging Communities introduces a few stories found in our collections, such as the women who organized domestic workers for basic work protections; a woman who recognized a need to support families of incarcerated mothers; a sanitation workers’ strike protesting continued discrimination in hiring and promotions, poor working conditions, and low pay; women fighting for equal rights; the University’s struggle with racial tensions on campus; a grassroots campaign to retain the musical director of the Atlanta Symphony Orchestra; and organizations working to assist the homeless and other marginalized groups. This exhibit is a testament to the important role archives play within the communities they serve.

Granite, limestone, and marble building stones are found in a 20-block area that is centered around the beginning of Peachtree Street. These three commercial types encompass a much greater range of rocks. Granite, limestone, marble, travertine, dolomite, serpentine, larvakite, gabbro, and gneiss are among the rock types found within the 50 varieties of commercial building stones used in the area. A map has been prepared of the area and specific sites of geological interest have been identified. The building name is given in the descriptions of the buildings and rocks found in the area so that they may be located easily. Only the three commercial rocks names will be used in the tour so that one can look at the rock samples and try to determine their true nature. The tour originates at Georgia State University, 33 Gilmer Street, Atlanta, GA. Walking tour created by Dr. Bob Power, former GSU professor in Geosciences. Revised by Dr. Hassan Ali Babaie, GSU Associate Professor of Geosciences.