digATL | The Digital Atlanta Portal

Contains original materials donated to GSU Library’s Special Collections & Archives. These items are comprised of correspondence, legal documents, notes and research materials, photographs, and artifacts belonging to the late Civil Rights leader Lonnie King, Jr. They chronicle his life, career and involvement with the Atlanta Student Movement, NAACP, Morehouse College, and Georgia State University.

Archived by the Wayback Machine.

Traces the history of the historic rail corridor that is currently under redevelopment as the Atlanta BeltLine. This site showcases items from repositories around the city of Atlanta and the United States, gathered and posted by students in HIST 8885, Theory and Practice of Digital History, a course in the Heritage Preservation Program at Georgia State University. Students have also created narrative exhibits that interrogate themes relevant to the history of the Rail Corridor including communities, neighborhoods, educational institutions, businesses, and the changing uses of the natural and built environment. Students have made a concerted effort to obtain permission for the use of items on this site. Rights and licenses are posted on the individual item pages.  If you have any questions or need to request that an item be taken down, please contact the project coordinator, Adina Langer, at alanger at gsu.edu.

Atlanta, a new city established by the railroads in the 19th century and transformed by the automobile in the 20th century, was built first for the movement of goods and then later for people, not unlike most industrial U.S. cities. As the city managed tremendous growth and the rise of the automobile, city planners and visionaries sought to alleviate traffic and safety concerns at the city’s numerous rail crossings by building a series of viaducts and raised streets, thus creating an “elevated city” in portions of downtown. This idea spread as city planners envisioned a platform city where automobiles, streetcars, and pedestrians could move freely on elevated concrete and steel platforms above the “grimy” and “smoky” congestion-causing railway lines. Today’s Underground Atlanta is a result of such initiatives, namely the twin viaducts project of 1927-1929, which elevated the streets around then Union Station (1871-1930) in the heart of downtown. During this time, one visionary architect, Haralson Bleckley, championed the idea of an extended raised city plaza to cover much downtown, a dream that was never realized. Later in the 1960s, a new university for downtown Atlanta, Georgia State College (now University), developed plans to build a “Plaza Campus” with elevated pedestrian platforms above the noise and inconvenience of city traffic. Other visionary architects followed, envisioning Atlanta as an elevated city of the future. While these plans may have been forward thinking, many were also aligned with, if not partially driven by, urban renewal efforts of city leaders. More recently, ambitious urban revitalization projects such as Centennial Yards, which will transform Atlanta’s railroad Gulch, and The Stitch, with plans to cover the multi-lane interstate Connector from Downtown to Midtown, seek to connect people and communities on elevated plazas and platforms above Atlanta’s “least attractive” (The Gulch) and most congested (Downtown Connector) areas — or as Bleckley put it in 1915 in describing Atlanta’s railway tracks and yards, “the grimy chasm that scars Atlanta’s beauty.”

Mapping Atlanta’s Jim Crow Era Women’s Basketball Community. During the era of legalized segregation, Black Atlantans created their own economic, educational, and recreational institutions. In Black schools, community centers, and entertainment venues, Black women played basketball. Sarah Almeta Hill captained a title-winning basketball team while teaching full-time. Then, she became Atlanta’s most successful coach. She won titles, trophies, and temporary stardom. Reporters even described her as a tennis queen and basketball veteran. Despite the five consecutive city titles, two back-to-back state championships, and consistent press during her playing days, Hill barely shows up in an internet search. Neither do the women she competed with in Atlanta’s Jim Crow Era Black women’s basketball community. Those women played basketball and represented their schools, women’s clubs, and sometimes their employers. Sometimes they were models of respectability, sometimes they entertained, and sometimes they simply played because they were competitors. There are traces of their lives and careers made visible through digging through archival documents, yearbooks, and news reports. Most information is not easily accessible, but understanding their participation in basketball is an important part of sports history.

Georgia State University students map Atlanta’s past. This website is produced by Dr. Marni Davis and her students at the downtown Atlanta campus of Georgia State University. GSU has been part of downtown Atlanta since 1913, when it was founded to offer evening courses in business and commerce. As GSU grew, so did its presence in the city. Today, GSU’s downtown campus includes historic buildings and neighborhoods, brand new buildings and public space, urban renewal project areas, and an Olympic stadium. But cities are always built on top of history. What was here before GSU’s campus as we know it? If the past is invisible to us at street level, how can we make it visible?

Within Georgia State University Library’s digital collections can be found a series of approximately 100 photographs depicting downtown Atlanta streets in 1927, focusing mainly on the area just south of GSU’s present-day downtown campus. These images were scanned from glass plate negatives owned by the Special Collections of the Atlanta-Fulton Public Library System, which were loaned to GSU Library so that they could be digitized and shared with a wider audience. Of particular interest are images of city streets and storefronts at street level before many were covered over to make way for the “twin viaducts” project of 1927-1929, the city project that elevated the street levels of Central Avenue and Pryor Street (the viaducts) running north to south as well as Alabama and Wall Streets (the laterals) running east to west. This project quite literally entombed the original ground-level streets and storefronts below to become what we now know as Underground Atlanta. Thanks to this unique collection of images, we can return to downtown Atlanta before the construction of these viaducts and elevated streets.

Digital tour of the rise and fall of the bawdy brothels that lined Downtown Atlanta’s Collins Street from the late 1800s to the early 1900s—showcasing tantalizing tidbits from newspapers, census records, city directories, property records, maps, and more from Georgia State University Library’s digital resources. Walk the streets (well, not like that!) and transport your imagination back to those bygone days when sin and Southern hospitality went hand in hand. Launched Spring 2022.

During the 1970s, Georgia State University archaeologists conducted systematic excavations associated with the construction of the Metro Atlanta Rapid Transit Authority (MARTA) rail lines. This project recovered the material remains of Atlanta’s past, and these materials represent the single most comprehensive archaeological collection of Atlanta’s history. In addition, the excavations themselves are among the pioneering projects of urban archaeology in the then nascent field of CRM (Cultural Resource Management). Thus, just the excavation archive, which is part of the collection, is invaluable for the history of archaeology in the US, especially the burgeoning new field of urban archaeology. The entire collection (440 medium-sized “banker” boxes housing over 100,000 artifacts and all the accompanying documentation and excavation archive) has recently been returned to GSU. Showcasing significant “moments” in the life of the city, including several Civil War sites associated with the Battle of Atlanta, the majority of the collection corresponds to the late 19th and early 20th century, the time of Atlanta’s rebirth as a major metropolitan area, the collection opens immense opportunities for faculty and student research and public education and outreach. Furthermore, it will facilitate interdisciplinary collaborations within GSU, as well as with other universities in the Atlanta-area for the curation, conservation, study, and exhibition of the artifacts and archive.

Beginning in 1960, the Atlanta sit-in movement took over the downtown area of the city. Follow this tour to see where student activists conducted their peaceful protests and sat down to stand up for what they believed in. You’ll learn about major players and events of the movement while visiting the actual sites where they happened. Historic photos and descriptions will help you see what the protestors saw and take you back to this time of energy and passion in Atlanta’s past. Created Spring 2019.

A Community Interactive Digital Archive. Krog Street Tunnel is one of Atlanta’s premier destinations for street art, political communication, and a community bulletin board. Since the late 1960s, artists have added and subtracted new paintings, messages, and designs to its walls, effectively creating a rapidly changing archive of local cultural concerns. The tunnel and the walls connected to it on DeKalb Avenue and Wylie Street comprise a single living dynamic work of art that is a cultural center of Cabbagetown. As such, to understand the cultural composition of the town, it is important to not only examine the art but also the creatives who give the tunnel life. Given the ephemeral nature of the tunnel art and its historical significance to the city, Georgia State University’s EPIC program, an academic research initiative dedicated to providing students with the opportunities to work on public-facing projects, has assembled a team of professors, graduate students, and undergraduates to document and catalog Krog Street tunnel’s art. In addition to regularly scanning and archiving the community’s tunnel art and murals, we also plan to conduct interviews with artists, patrons, and members of the community. This collection will become the basis of a frequently updated online publicly accessible 3d digital archive. Launched in 2022.

Aims to both preserve this unintentional archive as it was before Manuel’s Tavern underwent renovations in 2015 and provide a platform through which one might learn more about the individual items in this archive and even contribute to the knowledge about them. This project is the result of a collaboration via the Atlanta Studies Network, Emory University’s Center for Digital Scholarship, Georgia State University’s Center for Excellence in Teaching and Learning and University Library, with additional contributions from the Savannah College of Art & Design in Atlanta and the Center for Public History at the University of West Georgia. While some archives are carefully curated by experts with clear intentions and institutional resources supporting their creation, other archives are unintentional and organic collections of materials that have gathered in a corner of a city like driftwood on the beach.  One such example of the later type of archive are the walls of Manuel’s Tavern, which over the past half century have slowly evolved into a record of the local established political left that inhabited that space; where a generation of cops, soldiers, and politicians—who believed in a more representative democracy—gathered to eat pork chops in a neighborhood occupied by immigrants, hippies, and punks. And to this day neighbors still treat it like an extra living room, where they come to watch elections or play chess. The project has received both local coverage (Atlanta Journal-Constitution, WABE, Creative Loafing, ArtsATL) as well as national coverage (New York Times). Note: All photographs, videos, and other materials hosted on this site are licensed CC BY NC.

Online exhibit feature photographs and negatives from Georgia State University’s Special Collections and Archives, consisting of images from six photographic collecting areas: Lane Brothers Commercial Photographers, Tracy W. O’Neal, Ernest G. Welch, Tom Coffin, David Lennox, and the Atlanta Journal-Constitution Photographic Archives. These visual treasures document daily life in Atlanta and the region during the twentieth century. This exhibit explores several different types of photography, from commercial to photojournalism, and the challenges of preserving a variety of photographic prints, negatives and born-digital materials of ever-changing technological formats. Over time, these unique images deteriorate, endangering our ability to provide access to the unique information about the many facets of public and private life as well as the built environment and natural world that only a photograph can provide. The physical exhibit was on display at Georgia State University’s Library Special Collections and Archives department from September 23, 2018–July 1, 2019.