digATL | The Digital Atlanta Portal

The Great Speckled Bird was one of several underground newspapers that appeared in the United States in the 1960s. Published in Atlanta from 1968 to 1976, The Bird, as it was commonly known, was a new, radical voice from the South. The Bird stood out among the alternative press for the quality of its writing, its cover art and its fearless opinions and reporting on a range of topics—national and local politics, the counterculture, women’s issues, gay liberation, reproductive choice, music, art, and more. This Digital Collection includes items from the following collections: all issues of The Great Speckled Bird, including revival issues from 1984-1985 and 2006, digitized from physical copies in The Southern Labor Periodicals Collection; interviews with former staff members of the underground newspaper taken from The Great Speckled Bird Oral History Project Collection; images of Atlanta and its people from the Tom Coffin Photographic Collection. Coffin, a founding member of The Great Speckled Bird and life-long photographer, supplemented his work on the paper with photographs of the counter-culture in the 1960s and 1970s.

The exhibit commemorates the 50th anniversary of the publication of the first issue of The Great Speckled Bird. Content in this exhibit incorporates resources from Special Collections and Archives’ Digital Collections at the Georgia State University Library. The Great Speckled Bird (1968-1976) launched in 1968, a year of protests and political contestation around the globe. In Atlanta, the founders of the paper felt it necessary to create an outlet for news that presented a point of view unavailable in the city’s other media platforms. The Bird served as a clearinghouse for information about and as a call to action for the interconnected social movements of the 1960s and 1970s, including civil rights, anti-Vietnam War activism, and women’s and lesbian and gay liberation. The paper also focused attention on subjects and news largely ignored or selectively covered by the city’s mainstream news media.

Highlights aspects of Atlanta’s LGBTQ+ history that are most fully documented by GSU Archives & Special Collections. The Gender and Sexuality Collections at Georgia State University have grown rapidly since the first donation in 2011. Currently, the manuscript collections measure over 550 linear feet. An extensive periodical collection with over 670 titles includes more than 8,700 individual items, and almost 3,000 books have been donated. Further, 110 oral histories have been conducted by GSU staff and volunteers and 46 interviews have been donated by others.

Creative Loafing is an alternative newspaper covering arts, entertainment, music, news, and politics in metro Atlanta. The paper was founded in 1972 by Deborah and Elton (Chick) Eason and expanded to other cities in the 1980s and 1990s under Creative Loafing, Inc. It went through various ownerships, starting in 2009, before being purchased by Ben Eason, son of the founders, bringing the publication back to the family as Creative Loafing, LLC, in 2017. Creative Loafing Inc. was once the nation’s second-largest publisher of alternative weeklies. Creative Loafing continues to be published online as a regularly updated website, with special print editions published occasionally throughout the year. This Digital Collection currently includes all issues of Creative Loafing published between the inaugural issue of June 3, 1972 and October 1973. Additional issues will be added on an ongoing basis.

Founded in 1913, Georgia State University grew as it supported the educational needs of Atlanta and the state of Georgia. Originally an evening program intended for the Atlanta business community, the school achieved university status in 1969. With this new phase of academic growth, the administration focused on expanding the University Library’s ability to support advanced research. The Library’s Special Collections and Archives launched formally in 1971, with the mission of collecting rare and unique primary source material to support teaching and scholarship. Our first collections directly engaged the research needs of our faculty and students focusing on the people, communities, and events that shaped modern-day Atlanta, Georgia, and the New South. This focus on documenting the sometimes contentious, too often racist and sexist, but always fascinating story of modern-day Atlanta has led us to seek out and preserve the stories of everyday people. The stories maintained in our archives are not just of the powerful and famous, they are the stories of everyday people who recognized injustice and organized their peers, family, coworkers, and lives around rectifying that injustice and making Atlanta a more equitable city. Fifty years ago, our collections started with one box and a single collecting focus on southern labor unions. As our collecting areas have grown from one to nine, so has the department. Today our collecting areas — Southern Labor, Photographs, Women’s, Gender & Sexuality, Music & Radio Broadcasting, Social Change, Rare Books, Pulp Literature, and University Archives — consist of 8 miles of materials and several terabytes of digital content. Georgia State’s Special Collections & Archives gives researchers an in-depth view of life in 20th and 21st Century Atlanta and the Greater Southeast Region. This expansion of collecting has been possible only through creating connections to passionately engaged community partners. From the LGBTQ Institute and We Love BuHi to the Atlanta Journal Constitution and the AFL-CIO, Special Collections builds relationships with communities all over Atlanta and the South. The collections entrusted to us document the stories, accomplishments, and struggles of those communities. Bridging Communities introduces a few stories found in our collections, such as the women who organized domestic workers for basic work protections; a woman who recognized a need to support families of incarcerated mothers; a sanitation workers’ strike protesting continued discrimination in hiring and promotions, poor working conditions, and low pay; women fighting for equal rights; the University’s struggle with racial tensions on campus; a grassroots campaign to retain the musical director of the Atlanta Symphony Orchestra; and organizations working to assist the homeless and other marginalized groups. This exhibit is a testament to the important role archives play within the communities they serve.

Granite, limestone, and marble building stones are found in a 20-block area that is centered around the beginning of Peachtree Street. These three commercial types encompass a much greater range of rocks. Granite, limestone, marble, travertine, dolomite, serpentine, larvakite, gabbro, and gneiss are among the rock types found within the 50 varieties of commercial building stones used in the area. A map has been prepared of the area and specific sites of geological interest have been identified. The building name is given in the descriptions of the buildings and rocks found in the area so that they may be located easily. Only the three commercial rocks names will be used in the tour so that one can look at the rock samples and try to determine their true nature. The tour originates at Georgia State University, 33 Gilmer Street, Atlanta, GA. Walking tour created by Dr. Bob Power, former GSU professor in Geosciences. Revised by Dr. Hassan Ali Babaie, GSU Associate Professor of Geosciences.

Black Neighborhoods and the Creation of Black Atlanta explores the history of Black neighborhoods in Atlanta. It provides an overview of several of these neighborhoods: Summerhill, Vine City, West End, Lightning, and Johnsontown. The exhibit highlights archival collections held in the Archives Research Center at the Atlanta University Center Robert W. Woodruff Library. Collections include the Maynard Jackson Mayoral Administrative records, the Atlanta Urban League papers, the Atlanta Community Relations Commission collection, the Grace Towns Hamilton papers, the Neighborhood Union collection, the John H. Calhoun, Jr. papers, the Samuel W. Williams papers, the Atlanta Neighborhood Planning vertical file, the Johnsontown Neighborhood collection, and the Vivian W. Henderson papers. Exhibit created by Brittany Newberry.

Focused on suburban residential developments in DeKalb County, Georgia between the end of World War II and 1970 in order to better understand the transformation of the area after the Second World War. The resource includes data on national residential trends, architectural and landscape designs, as well as information on metropolitan Atlanta. The resource was created to support the effort to preserve local neighborhoods, buildings, and landmarks by providing the historic context in which they were created.

Date created

Spring 2010

The Digital Archive of the Heritage Preservation Program (HPP) available in ScholarWorks @ Georgia State University is a compendium of student projects produced under the supervision of the HPP faculty from 1991 until the present. The Archive contains a variety of completed projects that document buildings and historic areas in and around Metropolitan Atlanta. The projects include Historic Structure Reports of historic or endangered buildings, Historic District Information Forms prepared for submission to the Georgia Historic Preservation Division for eventual National Register Designation, Design Guideline and Planning projects that are intended to assist communities and neighborhoods in making design decisions about Locally Designated Historic Districts and Historic Context studies that focus on a particular building type, period of development (developmental history) or particular community. These documents embody a wide variety of buildings, neighborhoods and communities across Metro Atlanta. They demonstrate the body of work accomplished by the students of the Heritage Preservation Program and are here to be utilized by anyone seeking to research historic places in and around Atlanta.

Originally built in 1925 as one of the first parking garages in the city, the Ivy Street Garage was renovated and opened to students in 1946. In 1964, it was renamed Kell Hall to honor Wayne S. Kell, the original director of the school. Kell Hall was demolished and replaced with a campus greenway in 2021. On this website, you can browse the collections of digital items gathered, read about Kell Hall’s history, take a virtual tour of the building and contribute your own stories to the project. 

The Flat Rock community in southern DeKalb County, Georgia (just outside Atlanta) is one of the oldest continually-occupied African-American communities in Georgia. Although history shows that many African-American communities in the South were broken apart as former slaves migrated north in search of jobs and a more equitable life, Flat Rock remained an intact community. This was largely due to the efforts of individuals who were able to purchase land and later sell it in small parcels to fellow community members. Proximity—both to ancestors and significant places—is a cross-culturally important component to the creation of a sense of community. Placed on a high peak in DeKalb County, the Flat Rock Cemetery became such a place for the Flat Rock community. It contains burials dating from 1834 (three years prior to the official establishment of the community) through 1959. In the spring of 2008, Johnny Waits, president of the Flat Rock Archive, proposed a project to the members of the Greater Atlanta Archaeological Society (GAAS) involving the clearing and mapping of this historic cemetery. These initial meetings eventually led to the involvement of Georgia State University (GSU). Through the use of a total station, Jeffrey Glover of GSU and his students have been mapping the cemetery and conducting research into its material culture. The objectives of this project include completion of the cemetery map and the subsequent connection of identified graves to the archival data collected by Mr. Waits. These data will be integrated with photographic images of tombstones and material offerings, and will be established on GSU’s geospatial server using ESRI’s ArcServer. These interactive maps will be made accessible to visitors to the Flat Rock archive web site.

Steve Eberhardt photographs the people and events (and animals) around Atlanta, Georgia. His work has appeared in Rolling Stone, The Economist, The Nation, and The Guardian. The collection consists of born-digital photographs of marches, demonstrations, and other community events in and around Atlanta from 2014 to 2020. Events include Senator Bernie Sanders at Morehouse College, the Peachtree Road Race, an Atlanta Beltline Lantern parade, the Hindu Festival of Chariots Parade, and numerous Black Lives Matter protests. This collection will continue to grow as more photographs are donated.