digATL | The Digital Atlanta Portal

The Great Speckled Bird was one of several underground newspapers that appeared in the United States in the 1960s. Published in Atlanta from 1968 to 1976, The Bird, as it was commonly known, was a new, radical voice from the South. The Bird stood out among the alternative press for the quality of its writing, its cover art and its fearless opinions and reporting on a range of topics—national and local politics, the counterculture, women’s issues, gay liberation, reproductive choice, music, art, and more. This Digital Collection includes items from the following collections: all issues of The Great Speckled Bird, including revival issues from 1984-1985 and 2006, digitized from physical copies in The Southern Labor Periodicals Collection; interviews with former staff members of the underground newspaper taken from The Great Speckled Bird Oral History Project Collection; images of Atlanta and its people from the Tom Coffin Photographic Collection. Coffin, a founding member of The Great Speckled Bird and life-long photographer, supplemented his work on the paper with photographs of the counter-culture in the 1960s and 1970s.

Creative Loafing is an alternative newspaper covering arts, entertainment, music, news, and politics in metro Atlanta. The paper was founded in 1972 by Deborah and Elton (Chick) Eason and expanded to other cities in the 1980s and 1990s under Creative Loafing, Inc. It went through various ownerships, starting in 2009, before being purchased by Ben Eason, son of the founders, bringing the publication back to the family as Creative Loafing, LLC, in 2017. Creative Loafing Inc. was once the nation’s second-largest publisher of alternative weeklies. Creative Loafing continues to be published online as a regularly updated website, with special print editions published occasionally throughout the year. This Digital Collection currently includes all issues of Creative Loafing published between the inaugural issue of June 3, 1972 and October 1973. Additional issues will be added on an ongoing basis.

Steve Eberhardt photographs the people and events (and animals) around Atlanta, Georgia. His work has appeared in Rolling Stone, The Economist, The Nation, and The Guardian. The collection consists of born-digital photographs of marches, demonstrations, and other community events in and around Atlanta from 2014 to 2020. Events include Senator Bernie Sanders at Morehouse College, the Peachtree Road Race, an Atlanta Beltline Lantern parade, the Hindu Festival of Chariots Parade, and numerous Black Lives Matter protests. This collection will continue to grow as more photographs are donated.

Photographic collection contains images of AT&T, Atlanta Gas Light Company, Coca-Cola, Delta Air Lines, Eastern Air Lines, Rich’s, Shriners Yaarab Temple, and the Southeastern Fair while other images illustrate the development of Atlanta’s transportation system. During World War II, the studio produced photographic documentation of the Works Progress Administration, the Office of Price Administration, the Office of Civilian Defense, and the United Service Organization. The collection depicts Atlanta’s social and political changes with images of preparation for World War II, African Americans registering to vote, Ku Klux Klan rallies at Stone Mountain, political campaigns, sports events, labor union activities, motion picture premiers (including Gone with the Wind), disasters, and individual portraits. Notable public figures include Ivan Allen, Ellis Arnall, William B. Hartsfield, Roy LeCraw, Lester Maddox, Margaret Mitchell, Franklin D. Roosevelt, E.D. Rivers, Carl Sanders, Eugene Talmadge, and Robert W. Woodruff.

Collection contains 258,100 (196,800 4×5 inch and 61,300 2 1/2 inch) acetate negatives which are housed in 43,486 envelopes. The collection spans the years 1920 to 1976 with the bulk of the negatives dating from 1939 to 1975. Some of the images are copy negatives of photographs which date as early as 1864.

The images are organized into six series (1) Corporate bodies, (2) Geographic places, (3) Events, (4) Portraits, (5) Things, and (6) Miscellaneous-sized negatives. The collection consists of photographic negatives and prints of the Lane Brothers Commercial Photographers (Atlanta, Ga.) and its predecessor the Lane Brothers Photo News Service from ca. 1920-1976. Early materials (1920’s-1939) include glass plate negatives and photographs taken by Jack Lane and his brother W.C. Lane as freelance photographers for the Atlanta News, other newspapers, and wire services. The bulk of the collection consists of images of the Atlanta, Georgia area documenting its economic growth, social changes, and political activities over the years.

Also included is an inventory of unscanned negatives in the Lane Brothers photographic collection.

Copyright to items in this collection is owned by Georgia State University Library. Items may be used for scholarship, educational, and personal use. Additional uses will require permission of the rights holder.